Dark Matter emblem
Technical Rider · 2026 · Houston, Texas

TECH
RIDER

Venue-facing technical specification for Dark Matter, a five-piece Pearl Jam tribute. Built for FOH, monitor, production and advancing teams — everything needed to load in, patch, and get to a great-sounding show fast.

01 · Stage Plot

Five-piece footprint.
Six independent visual zones.

UPSTAGE / REAR · MINIMUM STAGE AREA 10M × 8M RECOMMENDED
MannyDrums
LuisRhythm Guitar
RayBass
NelsonLead Guitar
DavidLead Vocal / Guitar
DOWNSTAGE / AUDIENCE
Drum sub Wedge IEM 110V Direct box Movable mic stand Fan
PowerClean, grounded 120V/60Hz supply; dedicated circuits preferred for audio/backline.
ClimateOne quiet medium fan at drums; keep airflow away from vocal mic capsules.
SafetyFront barricade where crowd pressure requires it; clear cable paths; no pyro.
RisersPreferred drum and bass risers: 2.4 × 2.4 × 0.6 m, subject to venue.
David's standStable boom stand that can be pulled/swung during performance without blocking guitar movement.
Monitor philosophyFive independent musician mixes minimum; IEM support preferred except Manny, with wedges available as shown.
02 · 24-Channel Input List

Console-ready.

Channels 1–17 follow the stage allocation shown above. Channels 18–19 are utility/backup so the venue can still provide a full 24-channel frame; 20–24 carry vocals.

24 ChannelsOne channel below carries a small piece of band history.
CHSourceMic / DIPlacement / notesRole
1Kick InShure Beta 91AInside kick drumDrums
2Kick OutShure Beta 52A / Audix D6Sound-hole / front-head positionDrums
3Snare TopShure SM57 / Audix i5Top rim, angledDrums
4Snare BottomShure SM57Under bottom head; phase reversedDrums
5Hi-HatShure SM81 / KSM137Angled slightly away from snareDrums
6Rack Tom 1Sennheiser e904 / Beta 98D/S12" tom rimDrums
7Rack Tom 2Sennheiser e904 / Beta 98D/S13" tom rimDrums
8Floor Tom 1Sennheiser e904 / Audix D416" tom rimDrums
9Floor Tom 2Sennheiser e904 / Audix D618" tom rimDrums
Overhead LeftAKG C414 / KSM32Spaced pair, left sideDrums
11Overhead RightAKG C414 / KSM32Spaced pair, right sideDrums
12Bass DIRadial J48Direct from pedalboardBass
13Bass MicSennheiser MD421On Ampeg SVT cabinetBass
14Gtr Luis ElectricShure SM57 / Sennheiser e906Savage / Marshall cab, stage leftRhythm Guitar
15Gtr Luis AcousticRadial J48Direct from pedalboardRhythm Guitar
16Gtr Nelson 1Shure SM57Fender Bassman / Marshall, stage rightLead Guitar
17Gtr Nelson 2Royer R-121 / e906Blended second amp setupLead Guitar
18Gtr DavidShure SM57Savage / Fender Deluxe, centerGuitar
19Talkback / SpareShure SM58FOH / production talkback or spare inputUtility
20Vox DavidShure SM58 / Beta 58ACenter main vocal; wired preferredLead Vocal
21Vox LuisShure SM58Stage-left backing vocalBacking Vocal
22Vox RayShure SM58Mid-stage backing vocalBacking Vocal
23Vox NelsonShure SM58Stage-right backing vocalBacking Vocal
24Vox MannyShure SM58Upstage-center backing vocalBacking Vocal
03 · Backline

Preferred package.

Drum kit

Tama / DW / Yamaha / Pearl class

22" kick; 12"/13" rack toms; 16"/18" floors; 14" snare; road-grade hardware; DW5000 / Iron Cobra-class pedal; rug; throne; fan.

Guitar

Marshall / Fender / Savage class

Nelson: two-amp-capable stage-right rig with 4×12 cabinet(s). Luis: Savage/Marshall-class stage-left rig. David: Fender Deluxe/Savage-class center combo.

Bass

Ampeg SVT + 8×10 preferred

SVT-4 / SVT-2 / GK800RB-class head; 8×10 cabinet preferred, 4×10 + 1×15 acceptable. Radial J48-class DI.

Stage utility

Fast, clean changeovers

Three multi-stands, spare instrument cables, batteries, gaffer tape, clean towels, spare SM57/SM58, secure cable paths and access.

04 · Sound System

High-end by default.

PA

L-Acoustics / d&b / Meyer

Preferred: L-Acoustics K2/K3/Kara II, d&b GSL/KSL, Meyer PANTHER/LEO or equivalent, sized and tuned to yield full, even coverage for the room.

FOH

DiGiCo / Avid / Yamaha

Quantum 338, VENUE S6L, Rivage PM5/PM7 or equivalent. Full dynamics, FX, recall, 48V, ample buses and a digital split for monitors.

Monitors

Wedges + IEM

Five musician mixes. L-Acoustics X15HiQ/X12, d&b M4/M6 or Meyer MJF-class wedges. Shure PSM1000 / Axient Digital IEM-class systems preferred.

Calibration

System tech on site

PA deployed, aligned and system-checked before band soundcheck. Provide side fills and drum sub scaled to room size.

05 · Hospitality & Terms

Advance it early.
Execute it cleanly.

Security
  • Restricted backstage/stage access.
  • Barricade where crowd pressure warrants it.
  • Stagehand available load-in through load-out.
Catering
  • Water, soft drinks, coffee for band and crew.
  • Practical meal/snack service.
  • Private, secure green room preferred.
Sound check
  • Allow roughly 90 minutes for full setup/check.
  • PA pre-calibrated before band arrival.
  • Two audio engineers preferred.
Important terms
  • Any significant rider exceptions must be communicated and approved in advance - Good advancing beats a fight at the door
  • Production changes ideally 2–3 weeks in advance.
  • Confirm load-in, parking, credentials and curfew.
06 · Contact

One inbox.
Fast answers.

Booking / Production

info@darkmatterbandofficial.com

Website: darkmatterbandofficial.com · Location: Houston, TX, USA · Instagram / Facebook / TikTok / X / YouTube: @darkmatterbandofficial